I always knew that the shot would be heavily graded for night and possibly sped up. It seemed like a fun challenge and there was no pressing deadline. I could tell the director really wanted it, so we just sort of agreed that we’d do it. No fancy sci-fi weapons, just a basic cutaway to help tell the story. There was nothing remarkable about it, just a simple left-right pan of a van driving past. I could tell he’d rather have it back in. So much work and effort had gone into making the film that it seemed a shame to leave out one shot. With all the other vfx shots finished and only color grading to go, the director began to regret scrapping the van shot. He left behind a few hundred digital photos and a couple of screenshots of the van in a 3D app, but no project files. But, as happens so often with short films, the original vfx guy dropped out and disappeared. ![]() At the time of the shoot, a vfx guy had taken loads of photos of the real van and intended to do the shot via photogrammetry. ![]() They’d filmed the plate with a reference vehicle, always intending to render a digital van. The shot was a very simple pan of a van driving past, but for whatever reason the real van wasn’t available. The van shot was not in the original edit as it had been deemed too hard. I was really surprised at how well the result worked, especially as I hadn’t done much work by myself.
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